Showing posts with label Janet Leigh. Show all posts
Showing posts with label Janet Leigh. Show all posts

Friday 7 March 2014

Touch of Evil



Touch of Evil is only the second film I’ve seen to be directed by Orson Welles but both are amongst the most beautifully constructed I’ve ever seen. Based on the novel Badge of Evil, legend has it that Welles challenged producer Albert Zugsmith to provide him with the worst script available, which Welles promised to turn into a great film. Whether true or not, the second part of that sentence is utterly correct. Welles turned out a terrific picture which is handsomely directed, tightly written and wonderfully acted. 

The movie opens on a famous three minute and twenty second tracking shot, a shot which has been copied by and influenced scores of film makers since. A car is loaded with a bomb and is then driven across the Mexican border, into Texas. After exploding on the American side of the crossing, a newlywed Mexican drug enforcement official named Miguel Vargas (Charlton Heston) is one of the first on the scene. After ushering his wife (Janet Leigh) to safety, he quickly assesses the crime but is soon pushed to one side by the old, dependable local Police Captain, Hank Quinlan (Orson Welles). Quinlan and Vargas chase the leads but soon Vargas begins to believe that his American counterpart isn’t playing fair.

Sunday 22 July 2012

Psycho

"A boy's best friend is his mother"

Having embezzled $40,000 from her employers, Secretary Marion Crane (Janet Leigh) flees in her car. After narrowly escaping the clutches of a suspicious Police Officer she pulls into a quite motel during a heavy rainstorm. The owner Norman Bates (Anthony Perkins) greets her warmly and explains that they don’t receive many guests due to the freeway being moved. After offering Marion supper at the house he shares with his mother, Norman has to then retract the offer following an off screen argument with the old woman… A few days later when Marion’s disappearance in noticed a Private Detective (Martin Balsam) tracks her movements to the motel but he too goes missing. Fearing the worst Marion’s boyfriend Sam (John Gavin) and sister Lila (Vera Miles) head to the motel to search for the missing woman.

Psycho contains one of the most famous scenes in all cinema history as well as one of the most recognisable scores and most unexpected and shocking twists. Even without these three key elements though it would still be a five star film.