Showing posts with label Kim Ok-bin. Show all posts
Showing posts with label Kim Ok-bin. Show all posts

Monday 3 December 2012

The Front Line



Set mostly amid the 1953 Korean War ceasefire negotiations, The Front Line (고지전) stars Shin Ha-kyun as First Lieutenant Kang from Military Intelligence. Kang is sent to the Front Line to investigate the suspicious death of a Captain and to intercept any North Korean mail that is being sent through the Southern Postal Service. When Kang arrives at the front he discovers a comrade he though was long dead is in fact alive and well. Lieutenant Kim (Go Soo) is found serving in the same regiment as Kang is forced to investigate and finds life on the Front Line even harsher than he imagined. In the midst of his investigation the war is still raging on as both sides attempt to capture an important hilltop.

South Korea has produced many excellent War Movies over the last decade or so but despite some great scenes and cinematography I wasn’t able to fully get on board with this one. That being said there is a lot to like about the film and it won four Grand Bell Awards in 2011 including Best Film. I found that throughout the film I was interested in the story but not the characters.

Friday 9 March 2012

Thirst

Park Chan-wook is at it again. Thirst is a breathtaking film from the Director that bought us Oldboy and I’m a Cyborg, but that’s ok. Sang-hyun (Song Kang-ho The Host & The Good, The Bad, The Weird) is an unhappy and depressed priest who volunteers for a medical experiment knowing that it will likely kill him. It is his way of killing himself without facing hell as suicide is a great sin for a Catholic. After being injected with a deadly virus and a prototype vaccine, Sang is cured but has a terrible side effect – he is now a vampire. Sang struggles to deal with the two sides of his personality and vows not to kill but to steal blood from comatose patients at the hospital in which he volunteers. Meanwhile he meets a family he once knew when he was young and becomes friendly with them. Their adopted daughter Tae-ju (Kim Ok-bin) is unhappily married to their son and is treated like a slave by the rest of the family. She is drawn to Sang and he to her and the two begin a strange and erotic love affair. Sang must then decide whether to ‘turn’ Tae-ju and risk turning her and her increasingly erratic and unpredictable behaviour into a monstrous killing machine.

Park Chan-wook is fast becoming my favourite director and is the master of making a beautiful looking film. All of his films have a wonderful look to them, posses exquisite framing and cinematography and Thirst is no exception. Every shot is creative. There is never a time when the director simply has a camera in a conventional or boring position. There is always something to each shot. Park is a unique film maker and his trademark style and technique is visible to see. The internal sets look tremendous too. The family home at the centre of the story is transformed late on and looks wonderfully clinical and menacing. The all white set looks strangely beautiful when spattered with blood.


The story is attention-grabbing, crazy and well told. Both central characters undergo a transformation during the film and it is a joy to watch. The film deals with themes of religious duty, suicide, love, deceit and moral ambiguity. Each idea is dealt with in a satisfying and knowledgeable way. I did feel the film was slightly too long and that sometimes the story was a bit clunky but these are my only criticisms of an otherwise superb film.


The acting is without exception flawless. Song Kang-ho is an actor I could watch all day. He has a terrific range and I haven’t seen him give a bad performance yet. Here he transforms from a mild Priest into a conscientious but dangerous vampire and carries off both roles with aplomb. Beautiful newcomer Kim Ok-bin is equally as impressive as the innocent and impish young woman who turns into a vicious and vile seductress. Her transformation is incredible and she acts both parts perfectly. At times it was like watching two actresses. The supporting cast is also excellent, in particular Kim Hae-sook who plays Tae-ju’s mother and Shin Ha-kyun who is brilliant as Tae-ju’s idiot husband.

This film is obviously a must watch for Park Chan-wook fans and should be for fans of darkly funny and stylish horror. The violence is tasteful yet gory and the story gets stranger with each new scene. It features some fantastic acting and is wonderfully directed by Park.  

9/10